top of page
![]() Set in a small-town bowling alley, Cahill’s Lanes follows a young woman’s attempt to connect with her estranged father as he resists accountability and emotion. It’s a story about generational wounds and the act of reaching out in spite of that. | ![]() A father must step out of his comfort zone when his teenaged daughter has a life-changing dilemma. | ![]() A mime and widow bond over silence. |
|---|---|---|
![]() Beaten down by constant ableist microaggressions and a devastating breakup, Darcy begins to unravel. | ![]() A young woman must learn to trust her gut after a weekend at her boyfriend’s family home takes a dark turn. | ![]() Behind the iconic “We Can Do It” poster girl, millions of real-life women shook the foundations of the American workplace – forever changing both their own lives and the very perception of what women can do. |
![]() It's a week before the show opens, and tensions are running high at "Mame" rehearsal. | ![]() A Grandaifgter discovers his hero is illiterate. | ![]() A bride gets cold feet minutes before walking down the aisle. |
![]() A high school teacher is confronted by what trouble means and who gets to define it. | ![]() Two slightly lovable, mediocre white theatre producers (think Archie Bunker and Meathead!), try to revive their festival and save the theatre from financial ruin in a post pandemic world. | ![]() When We Arrive as Flowers, follows Diovanna, a New York-based trans Afro-Latinx dancer as she realizes her transfemme identity through a choreographic journey of self-discovery, celebration, and the poetic metaphor of a flower coming into bloom. |
bottom of page












